Journal article

When considering higher education, the voices and experiences of minority researchers are often absent. Within educational research, in particular, the voices and cultural realities of minority teachers are rarely valued and are often ignored. This paper is my attempt to “be heard”, particularly in relation to the education of Tongan males in Aotearoa. I am a Tongan teacher–researcher, and, through the autoethnographical approach, I have discovered a way to tell my story and, in doing so, legitimise my knowledge.

We explore the notion of homeland from the perspective of the Māori iwi or nation of Rongomaiwāhine from Māhia Peninsula. The research is drawn from a qualitative study initiated and conducted by the iwi in the period of 2012 to 2013 and sought to identify important iwi mātauranga from iwi members. Included within the research data was the iwi conceptualisation of a homeland, which is discussed through the three themes of connection, community and the tapu of the whenua.

How might Māori values in relation to soil contribute to national strategies for identifying, maintaining and enhancing soil health? This article uses the Hua Parakore framework, a kaupapa Māori approach developed out of the Māori organics sector, to address these questions. Soil is an essential national resource on which New Zealand’s primary sector and agriculture industries depend. Soil is also part of the woven universe constituting Māori ways of knowing and doing (Marsden, 2003).

This article draws on the textual analysis of films that produced three distinctive collective resistances across New Zealand film history. Hāhi Ringatū leaders protested to the Chief Censor about the portrayal of their beloved prophet Te Kooti in the Te Kooti Trail. The director was forced to make changes, and delayed the release. Later, after decades of support, Te Arawa were collectively absent from film production for nearly 40 years after director Alexander Markey insulted their manaakitanga with a series of misdemeanours during the production of Under the Southern Cross.